Conor Baum’s direction respects Miller’s intention and has guided his cast to a production that could stand on a stage at The Royal Court or The Dorfman.
A fast paced ‘cut to / meanwhile …’ bonkers bulldoze through 1,000 years of British history.
Clever, wistful and stirring little odes to love and loyalty, Britishness, betrayal and biscuits with delicate charm and heartwarming silliness.
a tight and snappily directed slice of fun with so much going on under the makeup and the lycra, and some joyful dance numbers whisking it all along.




